unsets and Hearts, is the project of Mexican American Artist, Car González. He got his early start in Corpus Christi, Tx when he formed the band Vattica with his close friends in 2002. They toured primarily in South Texas and went through a few different name changes and band lineups, first going by the name Vattica, then Stereo Box Studio, and finally landing on Zebras and Firecrackers. The band never released an album. It wasn't until 2009 when a friend left his entire recording equipment in González apartment for a week. It couldn't have came at a better time, as which González has described in interviews was at the lowest point in his life and had a suffering need to release music at any cost.

He recorded a set of demo's and released the dancey, drug pop single "Designer Drugs" which grew popular among friends and music blogs alike, later that year he released the "Despair & Desperation EP (Dec 2009)." Five months later he followed up with the highly obscure garage experimental, "Vive Tu Muerte EP (May 2010)," released the journal focused album "Music Sketchbook Series I," and the bedroom recorded, "Winter Wierdness EP."

By late 2011 he had relocated his music project to Austin, Tx and released the highly anticipated first full length album, "Altered Faze (Dec 2011)" which received much critical praise from music blogs for its interspersion with pop beats, soft melodies and synthesized compositions. The soulful single "Samantha Gamma" showed a softer side to González and became the heartfelt single that grew popular in early 2012.

In the winter months of 2012 he had detached himself from the then-current chillwave music scene and recruited the help of producer Cedar Apffel (Natureboy) and followed up with the avant garde, "Variant EP (Nov 2012)." Where he incorporated changeable influences seeking out post-punk, electronic drone, minimalist ambience and intimate acoustics. The composition, "Aloysia Aeterna / David Lynch" displayed this unique evolved sound to travel on opposite sides of the experimental music spectrum. From 2012 to 2015 he released the post punk influenced, "Bleed Over Ep" the second journal focused album, "Music Sketchbook Series II" and lastly his story crafted compositions album, "Songs for a Non Existent Film."

In early 2016 he released his second full length album "Unknown Futures (Jan 2016)," a complex instrumental electronic punk album with syncopated beats and dazzling synths screaming urgency. The repetitive lyrical single "Inertia LSP (Debt Slavery)" focused more on the redundancy of our lives and how we grow numb with life on a day to day basis when dealing with the blatant injustices being done to our society and future. In May he collaborated with McNeil Joseph and released the single "Suddenly Cataclysms," to benefit Border Angels an all volunteer, non profit organization that advocates for human rights, humane immigration reform, and social justice with a special focus on issues related to the US-Mexican border.

He is currently working on releasing a Summer album Fuck Trump EP before years end 2017.

Tom's Crusade With Sekret Machines

I am. Part for my love of music, part to modernize the art project itself, and part of it is to galvanize more interest in what this whole project is. I wouldn't call this the soundtrack of Sekret Machines, but the whole project is and will be much larger than the band. I want the project to encompass a lot of pieces of modern art, like feature films and television series, music, and novels and non-fiction books and documentaries. We have a lot of those different elements in the works right now. But I don't want to define this project as some Angels & Airwaves spinoff.

I find what Tom DeLonge is trying to achieve with his new project Sekret Machines to be so inspiring on an artistic level. I am really looking forward to reading this novel on Tuesday when it is released. A lot of the what drives my curiosity when I dive into creating soundscapes like Solace (visiXvi) is recreating an atmosphere that is reminiscent of Science Fiction and Space Exploration. Most people do not know but the album cover of Unknown Futures is a nod to a secret government aircraft that could be based on extraterrestrial technology.

“What you hold in your hands is a piece of a very large puzzle. It represents the first installment in one of the most ambitious projects ever undertaken in this or any other field. It is a project that involves science and history, politics and religion; fiction and non-fiction. All of these elements are woven together in an effort to express a singular truth. While they each can be appreciated in a stand-alone way—and who, after reading this thrilling novel, could disagree?—taken together they reveal an aspect of reality that is so astonishing that it only can be understood intuitively as well as rationally.” - Peter Levenda, Author of Sekret Machines non-fiction series

This episode of Coast To Coast Radio Show (aired 03/27/16) goes really in depth with Tom on his crusade of bringing the truth out, in regards to government involvement with UFO's and Recovered Alien Technology. Most notably he brings up the conversation with one of the Clinton's chief of staff and their involvement with bringing this to light.

This is all factual newspaper clippings #CarTinaHoneymoon

A video posted by Car Rosales (@cargonzalez) on

For a lot of people out there this subject of Aliens & UFO's is a real piece of their lives, some so much so that they actually create historic museums to explain it to people interested in the subject. The caveat to all this is for the most part the government does not want this talked about in public or an open forum because of national security. I immediately thought of Project Blue Beam when he spoke about government involvement. The Military Industrial Complex owns most of this advance technology and Tom could be a pawn in all this and not even know it.