unsets and Hearts, is the project of Mexican American Artist, Car González. He got his early start in Corpus Christi, Tx when he formed the band Vattica with his close friends in 2002. They toured primarily in South Texas and went through a few different name changes and band lineups, first going by the name Vattica, then Stereo Box Studio, and finally landing on Zebras and Firecrackers. The band never released an album. It wasn't until 2009 when a friend left his entire recording equipment in González apartment for a week. It couldn't have came at a better time, as which González has described in interviews was at the lowest point in his life and had a suffering need to release music at any cost.

He recorded a set of demo's and released the dancey, drug pop single "Designer Drugs" which grew popular among friends and music blogs alike, later that year he released the "Despair & Desperation EP (Dec 2009)." Five months later he followed up with the highly obscure garage experimental, "Vive Tu Muerte EP (May 2010)," released the journal focused album "Music Sketchbook Series I," and the bedroom recorded, "Winter Wierdness EP."

By late 2011 he had relocated his music project to Austin, Tx and released the highly anticipated first full length album, "Altered Faze (Dec 2011)" which received much critical praise from music blogs for its interspersion with pop beats, soft melodies and synthesized compositions. The soulful single "Samantha Gamma" showed a softer side to González and became the heartfelt single that grew popular in early 2012.

In the winter months of 2012 he had detached himself from the then-current chillwave music scene and recruited the help of producer Cedar Apffel (Natureboy) and followed up with the avant garde, "Variant EP (Nov 2012)." Where he incorporated changeable influences seeking out post-punk, electronic drone, minimalist ambience and intimate acoustics. The composition, "Aloysia Aeterna / David Lynch" displayed this unique evolved sound to travel on opposite sides of the experimental music spectrum. From 2012 to 2015 he released the post punk influenced, "Bleed Over Ep" the second journal focused album, "Music Sketchbook Series II" and lastly his story crafted compositions album, "Songs for a Non Existent Film."

In early 2016 he released his second full length album "Unknown Futures (Jan 2016)," a complex instrumental electronic punk album with syncopated beats and dazzling synths screaming urgency. The repetitive lyrical single "Inertia LSP (Debt Slavery)" focused more on the redundancy of our lives and how we grow numb with life on a day to day basis when dealing with the blatant injustices being done to our society and future. In May he collaborated with McNeil Joseph and released the single "Suddenly Cataclysms," to benefit Border Angels an all volunteer, non profit organization that advocates for human rights, humane immigration reform, and social justice with a special focus on issues related to the US-Mexican border.

He is currently working on releasing a Summer album Fuck Trump EP before years end 2017.

Masterpiece Albums: Natureboy (Self-Titled Release)

I love this album to death. It is one of the most honest heartfelt albums I have ever heard. It is disturbing how much this album soaks through your bones and reveals itself.

Chillin watching Natureboy #sxsw

A photo posted by Car Rosales (@cargonzalez) on

I spent much of 2011 listening to this album and sinking deeper and deeper into the void of pain I was in at the time. This album pulled me out of that wasteful gutter and brought out the hope that was left inside of me.

I interviewed Sara Kermanshahi at that time and asked her everything I could about how she created this Masterpiece. She told me she had just moved to New York and was getting over a massive breakup and everything was poured into this one album.

Her voice is beautiful and the tones of her guitar & backward synth loops are all placed together in harmony that I find so enchanting. Her lyrics for her songs are well written and her verse's are very direct and personal. What I like most about her lyrical structure though is she uses words subtly in her chorus's and she often finds a way to say very little while letting her voice explain the rest. (Mazzy Star was great at that as well.)